Change: in text and practice where minor chords and rawness are integral elements of story-telling. His song is bittersweet - longing, sadness, but it is also acceptance and the realization of yearning, unfulfilled desire and pain as part of living process, as part of the process of "love." The introduction   View changes from previous version. (Word count: 1355)

Change: mannermanner. toTo name them and dance/sing them out,out. butBut not in a facile way that assumes when you leave the mix or the dancefloor your problems are solved, just that   View changes from previous version. (Word count: 1354)

Change: chords and rawness are integral elements of story-telling. His song is bittersweet - it is longing, it is sadness, but it is also acceptance and the realization of yearning, unfulfilled desire and pain as part of living process, as part of the process of "love." The introduction of   View changes from previous version. (Word count: 1357)

Change: maybe house here as testimonial/witnessing) so that throws a little clarity on them, makes them a little bit easier to engage or deal with outside, in the "real" world.Right, so I have digressed. Going back to the beginning of   View changes from previous version. (Word count: 1346)

Change: And theThe powerful thing about house is that somehow house manages to contain all these fragments - to connect history and the present - to   View changes from previous version. (Word count: 1347)

Change: For the dancer, the performance/the dancefloor activity becomes a conversation. You respond with your body - following the 4-4 or adding polyrhythm or a syncopation   View changes from previous version. (Word count: 1349)

Change: <table style="width:auto;"><tr><td><a href="http://picasaweb.google.com/lh/photo/ToqQOfvGvM5Kj2D7cI5U3A?authkey=1tphrKn9Mzw"><img src="http://lh3.ggpht.com/_yyplQa_O5A0/SRvLcOqLefI/AAAAAAAABB8/yvLYAeyJCpo/s400/mypeoplepartner.jpg" /></a></td></tr><tr><td style="font-family:arial,sans-serif; font-size:11px; text-align:right">From <a href="http://picasaweb.google.com/YemaBlu/NewAlbum111308138AM?authkey=1tphrKn9Mzw">New Album 11/13/08 1:38 AM</a></td></tr></table>The musical accompaniment is E. Badu's version of the Eddie Kendricks song "My People." I chose this track   View changes from previous version. (Word count: 1092)

Change: (At about 4:00-5:45)(4:00-5:45) When they come to each other in duets, it is a more intimate kind of partnering. They begin to focus in. Eye contact,   View changes from previous version. (Word count: 1045)

Change: I also love that it's a woman's voice leading this version. Last seciton is Marshall Jefferson's Ride the Rhythm, a Chi house classic. It's about the gospel sound at the base of the track and the urban industrial synt   View changes from previous version. (Word count: 1017)

Change: Add sketch notes - the exercise based on touch]The musical accompaniment is E. Badu's version of the Eddie Kendricks song "My People." I chose this track because it conveyed   View changes from previous version. (Word count: 987)